Wednesday, January 23, 2019

ROMA Actress Yalitza Aparicio Becomes First Indigenous Actor Nominated For An Oscar





Newcomer Yalitza Aparicio was nominated for her first Oscar on Tuesday morning for her performance as a domestic worker in Alfonso CuarĂ³n's "Roma." The 25-year-old aspiring preschool teacher was also nominated for a Critics Choice award for the role but had been overlooked by key Oscar precursors the Golden Globes, SAG Awards and BAFTAs.
"Roma," produced by Participant Films and released by Netflix, has won more major awards this season than any other movie. It was nominated for 10 Academy Awards on Tuesday morning: best picture, foreign language film, director, lead actress and supporting actress, original screenplay, sound mixing, sound editing, production design and cinematography...


~LA TIMES
READ MORE: https://www.latimes.com/entertainment/movies/la-et-mn-yalitza-aparicio-roma-oscar-nom-20190122-story.html?

A BRAVE AND STARTLING TRUTH by Maya Angelou



We, this people, on a small and lonely planet
Traveling through casual space
Past aloof stars, across the way of indifferent suns
To a destination where all signs tell us
It is possible and imperative that we learn
A brave and startling truth
And when we come to it
To the day of peacemaking
When we release our fingers
From fists of hostility
And allow the pure air to cool our palms
When we come to it
When the curtain falls on the minstrel show of hate
And faces sooted with scorn are scrubbed clean
When battlefields and coliseum
No longer rake our unique and particular sons and daughters
Up with the bruised and bloody grass
To lie in identical plots in foreign soil
When the rapacious storming of the churches
The screaming racket in the temples have ceased
When the pennants are waving gaily
When the banners of the world tremble
Stoutly in the good, clean breeze
When we come to it
When we let the rifles fall from our shoulders
And children dress their dolls in flags of truce
When land mines of death have been removed
And the aged can walk into evenings of peace
When religious ritual is not perfumed
By the incense of burning flesh
And childhood dreams are not kicked awake
By nightmares of abuse
When we come to it
Then we will confess that not the Pyramids
With their stones set in mysterious perfection
Nor the Gardens of Babylon
Hanging as eternal beauty
In our collective memory
Not the Grand Canyon
Kindled into delicious color
By Western sunsets
Nor the Danube, flowing its blue soul into Europe
Not the sacred peak of Mount Fuji
Stretching to the Rising Sun
Neither Father Amazon nor Mother Mississippi who, without favor,
Nurture all creatures in the depths and on the shores
These are not the only wonders of the world
When we come to it
We, this people, on this minuscule and kithless globe
Who reach daily for the bomb, the blade and the dagger
Yet who petition in the dark for tokens of peace
We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe
We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines
When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear
When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
That is when, and only when
We come to it.

~Maya Angelou

Tuesday, January 22, 2019

AERO MEXICO TROLLS WHITE AMERICAN RACISTS




If their safety record is on point,
I'm going to make it my business
to fly AeroMexico

BWAAAAAA HA HA HA


BLACKCHICKROCKED.BLOGSPOT.COM

The War On Drugs Has Become A Largely Unannounced War on Women of Color

Feeling Rebloggy
       
       Source: Andrea Ritchie
     According to the Drug Policy Alliance,  
     "Drug use and drug selling occur at similar rates across racial and ethnic groups, yet black and Latina women are far more likely to be criminalized for drug law violations than white women.”
Black, Latinx, and Indigenous women make up a grossly disproportionate share of women incarcerated for drug offenses, even though 

  • whites are nearly 5 times as likely as Blacks to use marijuana and 
  • 3 times as likely as Blacks to have used crack. 
According to sociologist Luana Ross, although 
     Native Americans make up 6 percent of the total population of Montana,
they are approximately 25 percent of the female prison population. These disparities are partially explained by incarceration for drug offenses.
     These statistics are not just products of targeting Black, Latinx, and Indigenous communities; they are consequences of focusing on women of color in particular.
     From 2010 to 2014, women’s drug arrests increased by 9 percent while men’s decreased by 7.5 percent. These disparities were even starker at the height of the drug war. Between 1986 and 1995, arrests of adult women for drug abuse violations increased by 91.1 percent compared to 53.8 percent for men.
     However, there continues to be very little information about the everyday police encounters that lead to drug arrests and produce racial disparities in women’s prisons... 
     One notable exception to the lack of information with respect to women’s experiences of drug law policing was a General Accounting Office investigation, which found that Black women were more likely to be subject to searches of their bodies and personal effects by US Customs and Border Protection agents than any other group.


In fact, Black women were  
  • 9 times as likely as white women to be X-rayed after being frisked or patted down, and
  • 2 to 3 times as likely to be strip-searched, even though they were less than 1/2 as likely as white women to be found to be carrying contraband.
  • Black women were also searched at a rate 1 1/2 times that of Black men and Latinx people,
  • and were less likely to be found with contraband than any other group.
The report also found that Asian and Latinx women were strip-searched 3 times as often as men of the same race, and were 20 percent less likely than white women to be caught with contraband.
     Amanda Buritica, a fifty-two-year-old school-crossing guard born in Colombia, landed in San Francisco in 1994 on her way back from Hong Kong. She was strip-searched, forced to drink laxatives, repeatedly kicked by a US Customs officer, and held more than twenty-four hours before she was returned to the airport, sick and dehydrated from her ordeal 
      Across the country, shortly after landing in Fort Lauderdale following a trip to Jamaica, Janneral Denson found herself handcuffed to a bed at Miami Jackson Memorial Hospital by US Customs inspectors; she was forced to drink laxatives, her bowel movements were monitored, and she was held without contact with the outside world for two days, all because she allegedly fit the profile of a drug courier. She was seven months pregnant and experienced severe diarrhea and vaginal bleeding upon release. One week later, she delivered by C-section a three-and-a-half-pound baby who required prenatal intensive care for a month. 
    These stories are just a few of the many behind the statistics that reflect pervasive stereotyping of Black and Latinx women as drug couriers...

Sunday, January 20, 2019

KARDASHIANS, JENNERS, DOLEZALS AND THE NATURAL END GAME FOR BLACK FISHING

For the longest time, I really couldn't figure out why I should pay attention to what the female Kardashians and female Jenners were doing at all, despite my being able to clearly see what they're doing as far as mimicking black women's features.

But I've changed my mind because their disease is kinda catching on as cool in the white community.




White women becoming famous for having black features without in the white dominated music industry and Hollywood admitting that is indeed what's happening is not new. There have been a bunch of white women praised for the decades for having full lips -- like black woman's.  


Actress from
Two Broke Girls

Some white girl even got quasi-famous by singing about bringing booty back  -- as if the booty or "being thick" ever went out of style in the black community.


But the whole Kardashian /Jenner thing ratcheted the game of black features on white women up quite a bit...before black fishing (a white woman putting on black make up to look like a black person) was even a named thing. The Kardashians browning themselves and changing their features to be more like black women started out as a display for men, the physical display being about what it's always about:  

Women who can attract the most men or the richest men win. 

I'm guessing that this was a natural progression for the female Kardashians/Jenners because rumor has it they weren't accepted as white by white boys but they could be worshiped by black boys --not just accepted-- as something akin to "bi racial" or "mixed race"

And once they were adults and had surgery, they figured out --as many pale but not-white women have-- that they could have diamonds and money poured over them by the black men who really want white women and someone with white-looks but at the same time don't want to be identified as sell-outs by a sizable portion of black folks who really don't like interracial dating.

For example:
  • Kanye said him and his friends like "mutts" (mixed race) years before he married a  Kardashian. In comparison, Jay Z was probably really was looking for a light-skinned black woman to call his own, just like he said in his song(s). 
  • But I suspect that if Bill Cosby had been born twenty years later, he probably wouldn't have married Camille but a real white woman or a latina or Asian woman if he wanted to maintain a black audience support base.
But the Kardashian /Jenner path to getting black men to worship them as pale, not-quite-white goddesses is important. And they did more than just "get a tan" as some claim. And calling what they've done "cultural appropriation" doesn't quite cover it for me. The Kardashians and Jenners are have done a kind of light-blackface via tanning and make up, then also went out and bought themselves fuller lips and big asses. 

They are putting on whole black woman costumes as if in a 24/7 minstrel show, becoming black women in everything except depth of skin tone. So, maybe we should call what they, and now Ariana Grande, are doing as "brown face"
blackfishing
read more: teen vogue

The big problem I have with all this is that it is spreading. 

A few white women have done the same sort of thing, painted themselves, styled themselves into being something other than white -- on instagram and rumor has it, in at least one magazine.

So as a black woman I have to ask myself, how long before 

black fishing,
complete w headwrap
**make-up-painted to look black or brown** white women actually replace real black and brown women in half, most, or all magazines, television shows, and movies? 

And what's worse is this: Most of these painted white women wind up looking like bi-racial black women, which pours gas on interracial colorism in the white community and intraracial colorism in the black community. 

Rachel Dolezaling Into Black Womanhood Matters no matter who is doing it, where, and why.  

Understand that Rachel Dolezal actually making claims to be a different race makes her situation different from the Kardashians and Jenners. But it's not that different. Dolezal decided to be another race, to be a black woman, because it was profitable for her to do so. She parlayed being a black woman into an entire career.

Ariana Grande, as another example, wasn't quite making it as a white chick in the music industry. 
She was famous among the kiddie / tween set only. But when she began looking distinctly Puerto Rican she had hit after hit after hit on the pop charts. I think she had a good three or four big hits before I realized that I WAS NOT supporting a woman of color by buying her music. 


Now, I buy white women's music all the time; I am a dedicated Adele fan. But when I'm on the fence about actually buying a song, trying to decide if I really like it that much, whether the singer is a woman of color or not is a major factor. 

Black and brown people are heavily under represented in some critical spaces in the music industry and in Hollywood. And .01% of these singers and actresses may eventually move up, move behind the scenes to be music executives, real power brokers --who will decide who the future stars will be.

These future power brokers may decide black and brown women should be 20% of the pop music scene instead of 0.5% (?) like now. These future black and brown, female, music industry bosses will be able to support black and brown women who sing as well or better than Adele --whether or not she is built like a damn near curve-less model too
...like Shonda Rhimes, Mara Brock Akil, Ava DuVernay, Viola Davis, and Danai Gurira have done for black women in movies, television and Broadway. 

These future black and brown women with power will also be more likely to decide they'd rather go under than support and protect somebody like R. Kelly. 

Race matters.

Even so, I don't know if we can do anything at all about the Kardashians and Jenners fishing for black men in brown face (pun intended). And, I don't know if we can do anything about the Ariana Grande's passing as Puerto Rican until after they've made it (conscious decision or not). I'm not even sure I should be able to do something about a white woman's make-up choices... even if there are not corresponding surgeries, headwraps, and style choices meant to enable them to wear another race's culture like a costume.

But I do know these discussions are worth having.

In some cases we can come together and raise our voices to remove a Rachel Dolezal from leading a NAACP chapter as a black woman instead of a white woman like she should have. And we did. We can also decide to not spend money on Ariana Grande music if we feel she's deliberately using brown face to get cool points with her white audience and acceptance from a black and brown audience at the same time.

Anybody suspected of mocking, mimicking, or culturally appropriating black or brown womanhood is worth watching because some percentage of them are going to wind up being worth a boycott.
 
BLACKCHICKROCKED.BLOGSPOT.COM


By the way, as black and brown women, we are the only ones who get decide when, where, and why we defend ourselves our black and brown female images. Anybody who thinks otherwise can go kick rocks.

HAVE WOMEN OF COLOR BECOME THE STRONGEST VOTING BLOC IN THE UNITED STATES?

Feeling Rebloggy
(Source: In U.K.)
     Many candidates who are women of colour are motivated by opposition to President Trump. Most run as Democrats, although they may express disagreements with the party’s leadership. But the movement is also shaped by the fact that women of colour are now emerging as the country’s most influential voting bloc.
     According to the US government’s National Center for Education Statistics, black women are now the most educated group in the US, measured by percentage of people with a degree, and they are translating this asset into political action. Black voters made up 29 per cent of the electorate in Alabama’s special Senate election in 2017, with 98 per cent of black women voting for the Democratic candidate Doug Jones, a striking increase from previous elections.
      [Last year,] ...has in many ways been “the year of the woman”. The successful fight of women in Saudi Arabia for their right to drive, the global #MeToo movement, and the uprise of women in Ireland against the abortion ban demonstrate how widespread the struggle for equal and fair representation has become. But the experiences of previous “years of the woman” in the 1970s and in 1992 (the year in which a number of women were elected to the US Senate, and Anita Hill brought sexual harassment allegations against Supreme Court nominee Clarence Thomas), could suggest some cautious [skepticism.]
    While both 1970 and 1992 did bring significant advancements for women, they fell short of fundamentally altering the structures and power imbalances that are both still the manifestation and the cause of inequality and discrimination today...
~Wired.Co.UK
Read Morehttps://www.wired.co.uk/article/government-women-of-colour?

Saturday, January 19, 2019

MARTIN LUTHER KING: RARE FAMILY PHOTO


Marsai Martin's LITTLE Is Coming To A Theater Near You

feeling rebloggy
     Marsai Martin, of BLACK-ISH fame, is a 14-year-old force to be reckoned with. And no, I don’t mean in the way that the 14-year-olds on the train home make you feel uneasy because you know they’re cooler than you. (Just me? Okay.) Well, I mean a certifiable force.


     Best known for her role as the too-wise-for-her-own-good Diane Johnson on BLACK-ISH, Marsai is now the youngest executive producer in Hollywood [History] after dreaming up the concept for and starring in the feature film LITTLE.
     Martin was literally 10 years old when she came up with the idea for the body swap comedy. Yes, you read that right. While you were on the playground playing “The Floor Is Lava” Marsai Martin was in a room with executives pitching LITTLE. In the words of producer Will Packer, “It’s crazy. I mean, what were we doing at 10 years old?”
...Marsai explained that it was a conversation with her parents that sparked the idea for the film. “Well, before the [pitch] happened we were talking–it was me, Mommy and Daddy–and we were talking about the movies they were watching back then, and one of my mom’s favorite movies growing up was Big. So, that’s really how the idea was just, like, brought out to us and I think that’s just where it all started! And then we just started brainstorming...
Read More Here: http://www.vh1.com/news/371812/little-marsai-martin-issa-rae-regina-hall-will-packer-film-black-girl-magic/

Preview:



Friday, January 18, 2019

JASON VAN DYKE GETS PALTRY 6 YEARS 9 MONTHS FOR MURDER OF LAQUAN McDONALD



     The former Chicago police officer convicted in the murder of a black teenager who was shot 16 times as he walked away was sentenced Friday to 6 years, 9 months.
    Jason Van Dyke's punishment was far less than the minimum of 18 years that prosecutors were seeking, although state sentencing guidelines allowed for as many as 96 years or more — the equivalent of six years served consecutively for each shot.
     He will also have to serve a two-year mandatory supervised release after his prison term.
     A jury in October found Van Dyke, 40, guilty of second-degree murder and 16 counts of aggravated battery in the death of Laquan McDonald, 17.
    Jason Van Dyke's punishment was far less than the minimum of 18 years that prosecutors were seeking, although state sentencing guidelines allowed for as many as 96 years or more — the equivalent of six years served consecutively for each shot.     He will also have to serve a two-year mandatory supervised release after his prison term.     A jury in October found Van Dyke, 40, guilty of second-degree murder and 16 counts of aggravated battery in the death of Laquan McDonald, 17.
https://www.nbcnews.com/news/us-news/jason-van-dyke-ex-chicago-officer-sentenced-6-years-9-n960161

The cops accused of helping Van Dyke cover up his crime got off altogether via decision by a judge.  However, this conviction may make the first time in decades that a police officer in Chicago has gone to jail for anything he did while on duty. As I recall, when Dante Servin was on trial for shooting Rekia Boyd, it had been 17 years since a cop had seen the inside of a Chicago courtroom as a defendant. 

This is a step in the right direction. But I'd planned on being happier. I'd planned on Van Dyke getting 18 years and his cronies getting a year or two each.

But this is a step in the right direction.

What the people of Chicago need to do now, is hold the judges accountable come election time. And the voters of Chicago need to correct the law where a judge, instead of a jury, gets to decide the guilt of a cop. Police officers should not be able to opt for a judge's decision rather than a jury's. 

The jury decision have not been going our black-live-matter way very often. But I suspect the judge decision trials are going our way about one-tenth as often -- which why cops opt for them so much. 

SONY AND RCA DROP R KELLY AFTER DREAM HAMPTON DOCUMENTARY SURVIVING R KELLY

As you may or may not recall, black feminists' #MuteRKelly stumbled last summer. As a result of some high profile black feminists protesting, Spotify took R. Kelly off its site. But it wasn't long before Spotify put him back on. 

Then Dream Hampton's serial documentary came out this month and put faces to the young black girl victims.

And now we've won. 

R. Kelly has been dropped by his music label


FROM BLOOMBERG NEWS 
    "Sony Corp.’s RCA music label has scrubbed R. Kelly from its lineup after a documentary series renewed the furor surrounding allegations of criminal sexual misconduct.

     As of Friday morning, R. Kelly was no longer featured on RCA’s website. Billboard reported that the artist and Sony had agreed to part ways in the wake of the Lifetime series “Surviving R. Kelly,” which included accounts from his alleged victims.

     Representatives for Sony didn’t respond to requests for comment from Bloomberg, and R. Kelly couldn’t immediately be reached."

https://www.bloomberg.com/news/articles/2019-01-18/sony-s-rca-music-label-severs-ties-with-r-kelly-after-uproar?

I'd be willing to bet a lot of money that Hampton's series was also influential in getting Cyntoia Brown released. So congratulations to Dream Hampton and black girls everywhere. 


MISTY COPELAND CONTINUES TO BRING BLACK HEAT TO THE VERY WHITE SPACE OF BALLET

feeling rebloggy 
     In 2015, Misty Copeland made history twice when she became the first African American woman to be promoted to principal dancer at the American Ballet Theatre (ABT), and along with Brooklyn Mack, the first Black couple to play the lead roles in a full-length production of "Swan Lake" at the Washington Ballet. 

     "Beyond my personal goals as a ballerina, I want to celebrate, elevate and give opportunities to talented Black and brown dancers to share the stage with me while I have the power and presence that I do," Copeland told the Los Angeles Times in an email. "And to build a structure which can continue to exist beyond me." 
...she and Calvin Royal III make their debuts as Pierrette and Pierrot in "Harlequinade"  at Segerstrom Hall [...marking] the first time in the company's history that an African American man and woman will dance a lead couple's roles. 
~BecauseOfThemWeCan 
Read More:  https://www.becauseofthemwecan.com/blogs/botwc-firsts/misty-copeland-and-calvin-royal-iii-will-be-the-first-black-couple-to-dance-lead-roles-for-the-american-ballet-theatre?

Thursday, January 17, 2019

BOYCOTTING GM: Black Supervisors Called "Boy" & "Monkey" While Being Told To "Go Back To Africa"

feeling rebloggy


NBC COVERAGE OF GM RACISM SCANDAL 
     A lawyer for black workers suing General Motors over alleged racial bullying at an Ohio plant where nooses were found two years ago claims the harassment there is ongoing.
     "The hostile environment has continued and reached a retaliatory level," said Michelle Vocht, a lawyer representing a group of black current and former workers at the Toledo plant who sued the automaker in April 2018.
     The suit alleged the company failed to take prompt corrective action after black employees at the GM Powertrain and Fabrications plant reported acts of racism, such as the hanging of nooses and "whites only" bathroom signs.
Read More:  https://www.nbcnews.com/news/us-news/black-workers-gm-plant-where-nooses-were-found-allege-racial-n959956
DETROIT FREE PRESS COVERAGE OF GM RACISM SCANDAL
...The lawsuit described various other alleged incidents of racially hostile remarks and epithets in the last four years, including:
  • White employees calling black employees "boy."
  • A female black employee being called a crude, racist slur.
  • Swastikas painted and scratched on restroom stalls.
  • Stick figures with nooses around their necks drawn on restroom stalls.
  • White workers wore shirts under their coveralls with visible Nazi symbols on them.
  • Black employees told to be careful because a white employee's "daddy was in the Ku Klan Klan."
  • White workers telling black workers to go back to Africa.
  • "Whites Only" signs hung on restroom stall doors and written on walls outside the men's restroom.
  • A white supervisor, at a meeting, saying, "What's the big deal about nooses? There was never a black person who was lynched that didn't deserve it." The supervisor was not disciplined, the lawsuit said.

GM's reaction

The alleged behavior did not just target black workers.
In one instance, a white woman running for a union office happened to be dating a black man, the lawsuit said. Her election posters throughout the plant were, "defaced with racial slurs and drawings of black penises," the lawsuit said. 
The lawsuit said because GM failed to take prompt corrective action in all the incidents, it created "an atmosphere whereby hate-driven employees felt free to hang nooses, display racist graffiti, and verbally attack and racially insult African-Americans. These symbols of the historical torture and lynching of African-Americans touched each of the plaintiffs, were a personal affront to each's dignity and caused each fear for his or her safety."

I have questions aside from why GM didn't take corrective action (because I already know why --GM didn't give a damn) .

My questions are these:
1) Why weren't the police been called? For the noose? For the whites only sign? 
...which also begs the question...

2) Why haven't some of these people been hauled away in cuffs on hate crime charges? 
And by the way, regarding the supervisor that said, "What's the big deal about nooses? There was never a black person who was lynched that didn't deserve it." 
The only corrective action,  that will leave African American workers feeling safe there,  is for him or her to be fired, and anybody with decision making authority above that person to be fired. 
I would think that some of these crimes should have been worthy of federal hate crime charges. 

According to the, Ohio Crime Victim Justice Center...

Hate crime laws are very different across the nation. Some state laws protect many more groups than others. Ohio has a relatively weak hate crime law, while the federal government’s law is much stronger and more inclusive. Ohio's hate crime statute () is not a standalone crime, but offers additional penalties for crimes motivated by race, religion, color, or national origin. 
Read More:  https://ocvjc.org/news/rights-focus-hate-crimes 
This appears to mean that the federal route is the only option for putting some of these people in prison because Ohio doesn't appear to have any "stand alone" hate crime laws at all. 

In the meantime, I say the boycott is on.


EARTHA KITT ONCE SAID...


BLACKCHICKROCKED.BLOGSPOT.COM

Michelle Obama’s BECOMING Logs Longest #1 Streak Atop Amazon Book Charts Since 50 SHADES OF GRAY

     The milestones continue to pour in for Becoming, the bestselling memoir published last year to critical acclaim by former first lady Michelle Obama.
     The intimate read that details our Forever First Lady’s Chicago childhood, Ivy League education, her courtship with former President Obama and their eight years in the White House remains No. 1 on Amazon’s list of best-selling books after two months, marking the longest streak for any book in the top-selling spot since Fifty Shades of Grey in 2012.
    This is the longest-ever streak for a political manuscript or public figure memoir, CNN reported, based on Amazon data.
~THE GRIO 
Read more: https://thegrio.com/2019/01/16/michelle-obamas-becoming-logs-longest-no-1-streak-for-amazon-since-50-shades-of-grey/

Read More: https://www.cnn.com/2019/01/15/media/michelle-obama-book/index.html?fbclid=IwAR0ksidiUO3cTQr6j7Cwy49G7yNLIx9D1F9Y2Y-m8xCvAT7FLZ32leALHTg

A MESSAGE FOR BOSSY GIRLS FROM MICHELLE OBAMA WITH LOVE ON HER BIRTHDAY

feeling rebloggy

     Michelle Obama doesn't care if you call her bossy. In fact, the former first lady encourages young women and girls to be proud of being labeled as such.



Last year in Madrid, during a tour to promote her Let Girls Learn initiative, Obama discussed the importance of breaking down gender norms.
"It means telling your sons that it's okay to cry, and your daughters that it's okay to be bossy," Obama said in the speech, as reported by Harper's Bazaar.
Obama dismissed the bossy stereotype again last year while discussing the obstacles she faced as a young girl, at a speech in Argentina for the same initiative.
In the speech, she said that she's dealt with "teachers who didn't think I was smart enough and would call on the boys instead of the girls, even though the girls had better grades."
As she got older, Obama said that she had to deal with being sexualized by men who would catcall her as if she were an object or a piece of property to be commented on. This, she said, led to self-doubt....

Wednesday, January 16, 2019

DEBBIE ALLEN AT 69

feeling rebloggy
BIOGRAPHY

      ...Debbie's mother also taught her children to try new things. In 1960, on a whim, Vivian took Debbie and her siblings to live with her in Mexico. "She didn't know anybody in Mexico," Debbie later recalled in the Washington Post. "She didn't speak Spanish. She was looking for another level of experience...I respect that so much."

Struggle with Racism     ...After nearly two years in Mexico, Allen and her family returned to Texas, where the 12-year-old Debbie auditioned for the Houston Ballet School. Although her performance was good enough for admission, the school denied her entry based on the color of her skin. A year later, a Russian instructor at the school who saw Debbie perform secretly enrolled the aspiring dancer. By the time the admissions department discovered the situation, they were so impressed with her skills that they let Allen stay in the program.
     But that wouldn't be the end of Allen's segregation struggles. At 16, during what she believed was a successful audition for the North Carolina School of the Arts, she was chosen to demonstrate technique for other prospective students. Later, however, her application was rejected because her body was "unsuited" for ballet—a criticism often used to discourage black dancers. 
 
[Prima Ballerina Misty Copeland was told 
she had the wrong body for Ballet as well]
     The rejection hit Allen hard, and for the duration of high school, she focused mainly on her studies. An honor roll student, Allen entered Howard University, and graduated cum laude from the institution in 1971, with a degree in drama. She headed straight for Broadway after college, and in 1972 she landed several chorus roles, eventually making appearances on television, in commercials and series. 
     Breakthrough Role     In 1979, Allen had a brief moment in the spotlight when she landed a small part in Alex Haley's epic television mini-series, Roots: The Next Generation, which discussed race relations in America. But Allen hit it big in 1980, after she starred in a Broadway revival of West Side Story as Anita. Her performance earned her a Tony Award nomination, and the critical acclaim necessary to land a role as a dance instructor in the movie Fame (1980).
     Fame won several Academy Awards, and helped launched a dance fad across the U.S. The wild success of the film evolved into a successful television spin-off in 1982, in which Allen also co-starred. For her role as choreographer on the show, Debbie snagged three Emmy Awards for choreography...
https://www.biography.com/people/debbie-allen-538186 

Coming Soon: BLACK EARTH RISING

NETFLIX



The limited series, created by Hugo Blick, takes place in the U.S., Africa and Europe and focuses on that follows the journey of Kate Ashby (Michaela Coel), a Rwandan orphaned by the genocide, raised in London by an adoptive mother and trying to discover the truth of her past. She is helped in her search by lawyer Michael Ennis (John Goodman). The series examines the West's relationship with Africa, set in a world of prosecution of war crimes."
~ShadowAndAct 
https://shadowandact.com/michaela-coel-is-on-a-journey-to-uncover-the-truth-in-new-trailer-for-netflix-thriller-black-earth-rising

SERENA GOES FROM CATSUIT TO ROMPER

feeling rebloggy 
     Feeling playful?

     The look she served? An emerald green romper by sponsor Nike that had our favorite tennis star looking like money as she dominated the court on Tuesday. With many praising the return of the formfitting silhouette Williams first debuted at the 2002 U.S. Open while working with Puma, husband and head cheerleader Alexis Ohanian made it clear he was veryinto his wife’s new spin on the look.
     Serena Williams sure looked as if she was, while shutting down Germany’s Tatjana Maria in straight sets during her first round match at the 2019 Australian Open. Memorably, after Williams’ black catsuit caused a small furor in the French Tennis Federation last year, the Women’s Tennis Association subsequently cleared the way for catsuits for its players.
     And as if in celebration, Williams returned to the court with a new look that fell sleekly within the WTA’s new guidelines...
Read More: https://theglowup.theroot.com/romper-room-serena-williams-serves-a-new-spin-on-her-f-1831791673