Showing posts with label Black Women History. Show all posts
Showing posts with label Black Women History. Show all posts

Friday, November 30, 2018

SHIRLEY CHISHOLM ON HER 94TH BIRTHDAY

Feeling Rebloggy
 



It has been 50 years since Shirley Chisholm stared down sexism and racism to become the first black congresswoman in history. Today, members of Congress say they carry her lessons with them.
Rep. Sheila Jackson Lee, D-Texas, told CBS News that Chisholm encouraged those around her to be "tree-shakers" and "changemakers." Jackson Lee said that mentality was evident in Chisholm's first marquee squabble in 1969 as the urban congresswoman took on party leadership when she was appointed to the Forestry and Rural Villages committee. 
With hard work and by recognizing the poverty in her district, Chisholm used the committee placement to help institute federal nutritional food programs that are still used by millions today...
As the daughter of Caribbean immigrants, Chisholm helped change how the immigrant community was perceived and showed everyone how they could be successful Americans, according to Clarke.
"Her run for Congress actually extended the Voting Rights Act into the Northeast," Clarke said.
For efforts like those, Clarke and Sen. Kamala Harris, D-CA. introduced a bill earlier this year to install a statue of Chisholm for display inside the U.S. Capitol. 

~CBSNEWS 

HAPPY 94th BIRTHDAY SHIRLEY

REST IN POWER

Read More: https://www.cbsnews.com/news/shirley-chisholm-first-black-congresswoman-revered-on-capitol-hill-50-years-after-her-election/?

BLACKCHICKROCKED.BLOGSPOT.COM

Tuesday, November 13, 2018

THE BILLIE HOLIDAY STORY


Eleanora Fagan 
April 7, 1915 – July 17, 1959

A documentary.
Listen to it in the background if you don't have an hour to watch

video





Saturday, October 27, 2018

REST IN POWER NTOZAKE SHANGE

I saw the choreopoem FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE WHEN THE RAINBOW IS ENOUGH on a stage in San Francisco at a time when I thought I just didn't have it in me to understand a poem.

When I saw this feminist piece acted out on a bare stage but for the black women in different colored dresses, I didn't understand how wrong I was about my heart-mind connection.  

This poem broke through and got to me.

I don't think I'd have been moved to tears by Warsan Shire,  Nayyirah Waheed,  or Claudia Rankine 
if not for Ntozake Shange's words helping me get over that first hurdle.

The words "Rest In Power" have never applied better.

In addition to her Obie Award-winning choreopoem, Shange wrote novels including 'Sassafrass, Cypress & Indigo' and poetry collections like 'Nappy Edges.'




https://www.hollywoodreporter.com/news/ntozake-shange-dead-colored-girls-playwright-was-70-1155732


Read a lovely slice of this work in the next post

Monday, August 20, 2018

OCTAVIA SPENCER & LeBRON JAMES LAND CJ WALKER MINI-SERIES AT NETFLIX

feeling rebloggy

It’s official: Octavia Spencer and LeBron James’ limited series about entrepreneur Madam C.J. Walkerhas landed at Netflix...
The project is executive produced by Spencer and James. Spencer will star in the eight-episode series, which is based on the book “On Our Own Ground” by A’Lelia Bundles, Walker’s great-great-granddaughter, who will also serve as a consultant.

http://jacksonvillefreepress.com/madame-cj-walker-series-headed-to-netflix-courtesy-of-olivia-and-lebron/ 

SHE WAS MORE THAN JUST A BUSINESS WOMAN.  MUCH MORE! CHECK OUT THE MINI-BIO ON MADAM CJ WALKER HERE:

BLACKCHICKROCKED.BLOGSPOT.COM

Sunday, August 19, 2018

MADAM C J WALKER AS FEMINIST, A BIOGRAPHY

Life was hard on Sarah Breedlove from an early age. Her parents died when she was a child. She wound up marrying when she was still young. That husband wound up dying by the time she was 20.

When Sarah Breedlove took her children and moved to St. Louis Missouri, the middle class women in the church she attended helped her to see herself as more than a washer woman. She learned philanthropy and entrepreneurship, both, from these church women. And she started her first charity drive at this black church
When a scalp condition caused her to lose her hair she became ashamed of her appearance.
She started her hair company by finding a solution for her own scalp condition. Later, when asked how she started her hair care business she would say that she prayed for a solution and a big African man appeared to her in a dream. She wound up ordering ingredients from Africa and used them to create a a shampoo and an ointment. With her own scalp healed and her hair began growing as it never had before she became a walking advertisement for product she was making in her own home.
Eventually she was selling her product door to door.
In 1906 she married Charles Joseph Walker and Ms. C J Walker was born. Mr. Walker would help her with advertising the business. They would travel door to door together, selling her products and demonstrating the products. They would eventually divorce when Madam Walker wanted to expand the business and Mr. Walker did not.


Madam Walker would eventually open a beauty school and then a factory. She hired black women to be "Walker Agents." Forty to fifty years after slavery, there were few job opportunities for black women other than that of domestic, with a few lucky women able to become teachers and nurses. But thousands of black women gained economic independence working for Madam C J Walker.

As her company grew, she encouraged the black women that worked for her to stand for racial equality and the equality of women.  She wanted her Walker Agents to show themselves not just as professionals but as people who give back to the community. During her 1917 Convention for Walker Agents, Madam Walker gave prizes to women that sold the most product and got the most clients but also to women who gave the most to charity.

At their Beauty Salons the walker agents would talk to clients about what black women could do to help their churches, their schools in their communities. (I'm reading a book right now that talks black women like these making the black church strong enough, connected to one another enough to make it good base for The Modern Civil Rights Movement a few decades later)


By 1910 The Walker Company had employed some 5000 black female agents around the world, and averaged revenues of about $1000 dollars a day, seven days a week...Upon her death in 1919, her will stipulated that two-thirds of her fortune go to various charities and that her company always be controlled by a woman



Activist within The Black Women's Club Movement, Madam Walker was also a part of black suffrage and also anti-lynching movements. She was a signer on the letter to President Woodrow Wilson, demanding that he make lynching a federal crime. She seems to have counted Ida B Wells, the original anti-lynching activist, as a friend and also contributed money to the one of the organization's Wells helped found, the NAACP anti-lynching campaign.
She became famous nationwide when she contributed $1000 to the building fund of a YMCA for young black boys.  And it sounds like she may have built something in Indianapolis that sounds like one of the first malls, the Madam Walker Theater Center....


Madam C. J. Walker

Naturalista

Employer Of Black Women

Philanthropist


Political Activist


First Woman in the United States, of any color, to become a self-made millionaire  







Walker told her friend Ida B. Wells, the journalist and anti-lynching activist,
 that after working so hard all her life
— first as a farm laborer, then as a maid and a cook,
and finally as the founder of an international hair care enterprise
— she wanted a place to relax and garden and entertain her friends.

She also wanted to make a statement,
so it was no accident that she purchased four and a half acres in Irvington-on-Hudson, New York,
not far from Jay Gould’s Lyndhurst and John D. Rockefeller’s Kykuit
amidst America’s wealthiest families.
.
She directed....the architect
— to position the 34-room mansion close to the village’s main thoroughfare
so it was easily visible by travelers en route from Manhattan to Albany...
.

[H]er new [white] neighbors were “puzzled” and “gasped in astonishment”
when they learned that a black woman was the owner.
“Impossible!” they exclaimed. “No woman of her race could afford such a place.”

http://www.huffingtonpost.com/national-trust-for-historic-preservation/do-big-things-madam-cj-wa_b_6029236.html
a



A
NNIE TURNBO M
ALONE



MALONE STARTED BY FOCUSING ON HEALTHY HAIR


BUT WITH THE HELP OF AN AUNT SHE WOULD  CREATE CHEMICAL STRAIGHTENERS FOR BLACK HAIR

While experimenting with hair and different hair care products, she developed and manufactured her own line of non-damaging hair straighteners, special oils, and hair-stimulant products for African-American women.[4] She named her new product “Wonderful Hair Grower”[5] To promote her new product, Turnbo sold the Wonderful Hair Grower in bottles from door-to-door.[5] She began to revolutionize hair care methods for all African Americans....
One of her selling agents, Sarah Breedlove (who became known as Madam C. J. Walker when she set up her own business), encouraged Turnbo to copyright her products under the name "Poro" because of what she called fraudulent imitations and to discourage counterfeit versions.



Malone's business thrived until she wound up in a battle for control of her business with her second husband, Aaron Eugene Malone. She'd left some of the day to day affairs in his hands as manager. And he eventually claimed he was responsible for 1/2 of the success of the business.  She suffered another blow when a former employee also sued her, claiming credit for Annie Malone's success. This lawsuit forced her to sell property in order to pay the settlement. Eventually, the government would come after for back taxes.


* * * * * 

Like "Thomas Edison's" light bulb, the relaxer probably had multiple simultaneous inventors in multiple places around the world that didn't know about each other. So we may never be absolutely sure who invented it first. But it wasn't Madam C J Walker.


Wednesday, April 19, 2017

20 DOCUMENTARIES ON BLACK WOMEN

a repost

DOCUMENTARIES ARE CHEAP AND EASY HISTORY

Please find a few to watch

SOURCE: SHADOWANDACT.COM

1 — “Free Angela & All Political Prisoners” (2013)

2 — Another Shola Lynch film, “Chisholm ’72: Unbought & Unbossed” (2004)

3 — “Audre Lorde – The Berlin Years 1984 to 1992” (2012)

4 — “Taking Root: The Vision of Wangari Maathai” (2008)

5 — “Beah: A Black Woman Speaks” (2003)

6 — “Zora Neale Hurston: Jump at the Sun” (2008)

7 — “Alice Walker: Beauty in Truth” (2013)

8 — “Moms Mabley: I Got Somethin’ to Tell You” (2013)

9 — “Queen Nanny: Legendary Maroon Chieftainess” (2015)

10 — “Maya Angelou: And Still I Rise” (2016)


11 — “T-Rex” (2016)

12 — “A Ballerina’s Tale” (2015)

13 — “Iron Ladies of Liberia” (2007)

14 — “The Real Shirley Bassey” (2001)

15 — “Life’s Essentials with Ruby Dee” (2014)


See descriptions of each one here: 
http://shadowandact.com/2017/03/28/15-documentaries-about-black-women-to-watch-as-womens-history-month-comes-to-an-end/



MORE DOCUMENATARIES

16-  Nina Simone:  "What Happened, Miss Simone?"  (Netflix)

I had already put the "Strong Black Woman" stereotype away as far as being something I aspired to. But this really put the nails in Strong Black Woman's coffin for me. I highly recommend watching this one.

17-  Ruby McCollum: "You Belong To Me"  (Amazon Prime)

Though this documentary is far from perfect. I might buy it to add to my black history collection.  
McCollum's story takes place during a period not talked about too much in Black History books except for the Black Renaissance. But it would have been better if black women had total control of producing it. I stopped and started it a few times to make sure I had a full picture of what was happening during the police investigation.  However, you'll get the full picture of what happened after this black woman killed a white doctor in a southern town in the 1950s if you know your black history and can read between the lines. You'll also have a better understanding of what black women were/are going through between the end of slavery to the end of The Civil Rights Movement and beyond.

McCollum's son speaks about his mother, in very sexist terms, at the very end of the documentary. But his attempt to defend (the white doctor or his father or men in general)  doesn't take away from the story that's told.  (Last seen on Amazon Prime)

18- Fannie Lou Hamer - "This Little Light Of Mine" (???)

(I've seen a very short documentary on Hamer. I'm pretty sure this is not it. It looks like it's been praised quite a bit and is being sold to schools. If your kid says they're showing it at their school, make sure you go "visit" that day because it's expensive if it's not on Netflix or Hulu.)

19-  "All Jokes Aside: Black Women In Comedy"  (New From VH1)


This features a host of talented ladies—including Martin’s Tichina Arnold and Insecure‘s Yvonne Orji—discussing how they deal with racism, sexism and the lack of representation in the industry. -
http://people.com/tv/black-women-in-comedy-documentary-vh1/


20- "Venus and Serena"  (NETFLIX)

"Ever since Venus and Serena Williams started playing in tennis tournaments, they've provoked strong reactions - from awe and admiration to suspicion and resentment. They've been winning championships for over a decade, pushing the limits of longevity in such a demanding sport. How long can they last? In Venus & Serena, we gain unprecedented access into their lives during the most intimidating year of their career. Over the course of 2011, Venus grappled with an energy-sapping autoimmune disease while Serena battled back from a life-threatening pulmonary embolism. Neither Venus nor Serena let their adversities hold them back. They drew their greatest strength from each other."
  http://www.imdb.com/title/tt2376024/plotsummary?ref_=tt_ov_pl




Tuesday, January 17, 2017

EARTHA KITT

HAPPY BIRTHDAY EARTHA

BornJanuary 17, 1927, North, SC
DiedDecember 25, 2008, Weston, CT

BIO
Singing in ten different languages, Miss Kitt performed in over 100 countries and was honored with a star on “The Hollywood Walk of Fame” in 1960. In 1966, she was nominated for an Emmy for her role in the series, “I Spy”. In 1968, Miss Kitt’s career took a sudden turn when, at a White House luncheon hosted by Lady Bird Johnson, she spoke out against the Vietnam War. For years afterward, Miss Kitt was blacklisted in the U.S. and was forced to work abroad where her status remained undiminished. In December 2006 she returned to Washington and lit the National Christmas Tree alongside President and Mrs. George W. Bush

In 1974, Miss Kitt returned to the United States, with a triumphant Carnegie Hall concert and, in 1978, received a second Tony nomination for her starring role in the musical, “Timbuktu.” Miss Kitt’s second autobiography, “Alone With Me”, was published in 1976 and “I’m Still Here: Confessions Of A Sex Kitten” was released in 1989. Her best-selling book on fitness and positive attitude,” Rejuvenate! (It’s Never Too Late)”, was released by Scribner in May 2001.

Read More
http://earthakitt.com/eartha/

EARTHA ON LOVE AND COMPROMISE 




Read Even More



Sunday, November 22, 2015

BLACK WOMEN NOW AND THEN



The thing that seems to be different about black women now as opposed to the black women in the late 1800s-1920 and early civil rights women is that

A) black women don't know BLACK WOMEN'S HISTORY (of course there was less of Black American Female History to know back then. But Black women of the late 19th century and early 20th century were creating black women's history at the speed of light during every one of those years)


B) black women have bought into the scapegoating from both the white community and the black male community alike.


Until "When and Where I Enter", I had not realized that male sociologists and psychiatrists, white and black  alike, wrote books, articles, and speeches that actively created the stereotypes of black women that are still boomeranging around inside the black community to this day.

- Mammy, 

- Sapphire (b*tch),
- Matriarch (Sapphire & Mammy Combo) 
- Jezebel (hoe)



Those closest to looking like the single black mother stereotype, which can be seen as Mammy, Jezebel, and eventually Matriarch, all rolled up into one are the ones taking the biggest beating right now, the ones getting the most blame for the failure of the black community.




These black, female stereotypes were first created by whites to take the heat off racism as a reason for black poverty etc, in the 1960s.

The Moynihan Report of 1965(?), places blame for the 'failures of black culture' squarely on black women. Prior to the actual publication of the report, a number of black practitioners of respectability politics --a quasi-popular position throughout in Black American History-- welcomed the opportunity to shift blame off black men onto black women.

When Moynihan report became public there was such a backlash, that those who helped write/critique it didn't dare say so. But the black female stereotypes created and repeated in that report live on.    


Until I read "When And Where I Enter" I did not realize that Student Non-Violent Coordinating Committee was different from other black civil rights organizations. In this Ella Baker formed group:


1) had a membership that was not exclusively focused on the black middle class. Other groups, NAACP and SCLC tended to look down on rural blacks.


2) was group-centered rather than individual, Messiah-centered (think Martin Luther King and the SCLC, Malcom X and Muslims for a while)


3) had a lot of female led inner groups and black females involved in the top level decision making in the early years.


4) had young black men that eventually saw having young white women in the organization as a symbol of their racial freedom


5) had white women, becoming more feminist, seeing black men as their sexual freedom


6) wound up splintering as macho became a "positive" in male culture across the nation, which increased black male/white female sexual relationships which in turn started creating chaos in the group


7) wound up ousting of white people from the interracial SNCC (which I've known about for years). But this ousting of white people was really the ousting of white women (which I did not know until reading this book).


Ousted from SNCC, white feminists went to a predominantly white civil rights group and were treated worse by white men (used to their entitlements and privilege) when they tried to get back into having the same kind of leadership positions they'd once had at SNCC.

Learning the same history all over again from a female perspective has shed so much light on the place were in now. I've also come to realize how much you will fail to understand if you do not pay attention to how people react to class boundaries that are as real as socially created race/ethnic boundaries.


Black men and black women can be different AND still be dedicated to equality and overcoming sexism, just like black men and black women are dedicated to anti-racism while not being dedicated to sameness in regards to the dominant white culture.

I know this can be done because in the history books I've been reading I think I've seen that black men and black women have done it before -- right after they came out of slavery.


I hope slavery wasn't an extreme version of the enemy of my enemy is my friend kind of situation. An common enemy creates firm allies, but the alliance is often temporary. It truly looks like every year after slavery shows black men valuing how white males perform gender.  Black men and women worked side by side in the fields and did what had to be done just out of slavery, the children being put first in a way they couldn't be during slavery. But women still worked and their worked was valued...and they expected their opinions and decision making would remained valued no matter how much they worked outside of the home.

But black male and female relationships started changing as the black middle class increased, white patriarchal values moving more and more into the black community.

It's not like there wasn't plenty of patriarchy and misogyny in Africa to bring to the United States, but it seems like slavery had crushed patriarchy and misogyny to dust for a while. Black men and women had to pull together without holding onto artificial gender roles, including the one that says that man and his education, his voting rights, and his ability to provide are more important than a woman's.

It seems like patriarchy and misogyny had to be re-learned post slavery.

All of this reminds me of the old military saying: "Ain't no racists in a foxhole." That is, when the shells are falling all around you, all you care about is survival. Slavery can be seen as constant shelling, as 24/7 shelling, that kept black women and black men from thinking about anything except surviving together.

Post slavery, patriarchy and misogyny crept back in quickly. So, maybe there ain't any sexist misogynists in a foxhole either?


I truly hope *the enemy of my enemy is my friend* wasn't the source of black men having black women's backs back in the day. 

 - But listening to all 
the "bitches" and "hoes" 
in various raps
have made me wonder.





-- But seeing the avid defense 
of Clarence Thomas, Bill Cosby, 
Ray Rice, Chris Brown 
because the women that oppose them
are "bitches and hoes" anyway, I'm still wondering.




I'm both disgusted and still wondering


However, I must admit that I'm a lot more worried about black women getting back to having one another's backs as strongly as they seem to have black men's backs.
Taraji P Henson happy for Regina King at the Oscars


A lot has been made of black women showing up in large numbers whenever a black man is shot down. And this is absolutely true. In some press photos I can barely see the black men protesting for the large numbers of black mothers, wives, sisters, and auntie's protesting whenever the Michael Brown's and Freddie Grays are mowed down.
"
Protester turn out is not the same when a black woman is killed.
There had to be an adjunct movement created #SayHerName to get #BlackLivesMatters activists and supporters to focus on the deaths of black women.

Prior to 2014, I wouldn't hear about a black woman's death at hands of police until months had passed. Months. Prior to 2014, I might not find out a black woman had died at the hands of police for years.


Freddie Gray was in the center of our collective black focus before he was even dead. Rekia Boyd's killer was in the news at the same time but this cops escape from justice did not get the machine gun, repetitive sharing on social media Gray's death got.  News of Boyd's murderer being set free by a judge instead of a jury was met with "Who? Who's Rekia Boyd?"

  

Much has been made of black men not showing up for Rekia Boyd Protests, myself included.  But you know what? Black women didn't show up either.

Only a handful of black people showed up for Boyd's protest and most of what was missing was black women. It's not like 50% of a Freddie-Gray-sized crowd showed up, only a handful of people showed up. It's not like Rekia Boyd was shot in Iowa either.  Boyd was shot in freaking Chicago, one of the blackest towns in the damn nation.

Black women did not show up for Rekia Boyd either.


Black feminists and womanists showed up though. Black feminists and womanists show up for black women even when black men are not interested.  Harriett Tubmans, Sojourner Truths, Ida B Wells-s, Anna Julia Coopers, Diane Nashs, Alicia Garzas, Opal Tometis, Patrisse Cullors-s, and even Shonda Rhimes-s have always showed up for black women even if black men show no interest.


Again, it's not just black men that do not value black women at this point in time. It is the black community, including black women, that do not value black women the way it should.


I don't know how we are to draw ourselves back from the edge that some of us are so proud to be dancing on. Some of us as silly enough to be proud that we're "not acting white" by refusing to call ourselves "feminists."

MARA BROCK AKIL feminist and producer of
"BEING MARY JANE" "GIRLFRIENDS"
has black women, working behind and in front of the camera
REGINA KING, for example, is often a director


White women were not the first to execute or attempt to retrieve equality without sameness in their communities.

Black women were.





White women feminists have often emulated black women feminists without giving credit where credit is due--- same as other aspects of white culture stolen from elsewhere.


But even if you are mistaking feminism for "white culture" focusing on white feminists as a power that is destroying black culture is just a way for cowards to avoid the real conversation, frankly.


SHONDA RHIMES feminist and producer of
"GREYS ANATOMY" "SCANDAL"
; "HOW TO GET AWAY WITH MURDER
has black women, working behind and in front of the camera
and black music/musicians getting paid royalties


I keep trying to figure out how it is some black people think feminism (a way to combat the problems of sexism/patriarchy between women and men) is about black women and white women getting along MORE THAN it's about black women and black men getting along.







I mean, why would I, as a black woman, have higher expectations of white women than black men on the fighting sexism front? Why? This is much like finding your husband in bed with another woman and kicking her @$$ instead of the one that stood up with you in church and said "I do."


White women aren't the central problem for black feminists or womanists.  Men aren't even the central problem for womanists and black feminists. Black women failing to value themselves as individuals and as a group is the biggest problem we as black women have. 



Here And Now, October 2015: 


There are black men and black women who are throwing a black girl child beaten by a white police officer in a classroom in South Carolina under the bus just because she acted like a dumb kid like dumb kids are supposed to. There are black people jumping up to defend this white officer, to save this white cop's job.

I swear, I oughta promise to send each and every one of you 1 million dollars if you ever see a black teenage boy get thrown around like that then see even a few people in black skin start jumping up and down to save the white officer's job.


But I digress.

I'm thinking maybe the sexism solution is going to be as galling as the racism solution.

(Racism Solution: I don't think anti-black racism in this country is going to move much if white people don't move. They're the ones with the disease. If we don't create white allies who can teach the white numb from the neck up (forget the card carrying white racists) we're done.  We're only 13% of the population.

Things stay the same or get worse in this country unless white folk change OR until people of color start learning one another's stories making our outnumbering white people by 2050-ish actually mean something.)

Kerry Washington, Actress
"SCANDAL"



With our love partners, with our sex partners, with our partners in the struggle, black men, the sexism/misogyny solution may be even tougher than the racism solution.

We're more engaged with black men, as we should be. Pulling back to say, "Hey, clean your lane. I'll be right over here when you get done," is going to be a hell of a lot tougher to say to black men than it is to white folk. First of all, there are a hell of a lot fewer black, male feminists to lead black men than there are anti-racist whites willing to teach white folk from where I sit.

Yet, somehow we must get that done. Without pulling out of black men's lane? Standing inside black men's lane silently while they go about the labor of cleaning up the sexism and unacknowledged misgynoir?

But first things first. The percentage of black women who come together to say most of us aren't like up to 50% of white women and proud of it. The percentage of black women who say "we don't tolerate being treated like property no matter how pretty the pedestal is" has to increase.

We have the experience with racists to teach us how to deal with sexists. We, as black women, just have to value ourselves enough to be demanding when respect is low and supportive only when reciprocation is obviously present.



Step Number One: You aren't there for "the new blacks" already. Why not try not being there for the black people supportive of those who rape and kill black women they've successfully labeled as "bitches and hoes."




STEP Number Two: Learn Your Black Female History. You will start to see that that entire black community is repeating a pattern, that we as black women are putting up with things that were beaten back before by the black women, most of them what we now call "feminists" and "womanists" that came before us.

Saturday, November 21, 2015

WHEN AND WHERE BLACK WOMEN ENTER

BOOK TITLE:

When and Where I Enter:
The Impact of Black Women on Race and Sex in America



This 21 year old book is awesome. It was copyrighted in 1984, during the Reagan administration, a dozen or so years after the end of the Civil Rights Movement.

I'd already read Giddings'  "Sword Among Lions," her biography on Ida B Wells.  That book made me curious about the Black Women's Club Movement that began to develop a few decades after slavery among middle-class, black women.  I was amazed to figure out that black women and black men of that time (late 1800s to 1920s) were so much closer to feminist equality in their approach to life than we are now.

I've been thinking that slavery and  the poverty immediately following slavery forced black men and black women to work as a team toward advancement without hard divisions in gender roles.

There was gender bias in the black community, don't get me wrong.

However, black women of the time had fresh memory of slavery in their own heads from experience or from the oral history of their mothers to keep them from accepting or expecting their men to treat them like second class citizens - unlike white women.  Black women had to work to support the family just like the black men did.

Maybe black men had a fresher memory of domination as well for a while, too fresh to reproduce it in the direction of black women---for a short time anyway.

Black women of the late 1800s and 1920s created their own clubs and political organizations and led the anti-lynching fight. Ida B Wells did some of the first sociological studies in this country on lynching. More importantly, she knew how to affect southern white money. She traveled outside this country to where the primary cotton buyers were, England, and got anti-lynching resolutions passed there. As a result,  whites in Memphis --a location that was a primary cotton producer of the world-- were shamed into stopping lynching cold. There was no lynching at all for 20 years straight after Ida B Wells trips. Lynching was reduced across the country from all time highs.

The NAACP ( Ida B Wells one of the founders) copied her methods and used the anti-lynching issue to establish itself.

But this book gave me so much more of an overview of black history from a black female perspective that was nothing short of amazing to read. The book covers the period from slavery through The Civil Rights movement.
  


Blacks are divided by class just like everybody else. But it was interesting to read that people had to work to overcome that. Music was one of the things used to bring different classes of blacks together. It was a calculated and deliberate thing using music to unite black people at protests, not just a black people love music thing like I was always taught (--put this in the stereotypes black people like to believe along side the big dick one)

How sexism and poverty come together to create black women's achievement in school was made clear too. It was so obvious I couldn't believe I hadn't just come to it myself.

Black men used to quit school to support the family by getting blue collar jobs. Black women would couldn't do the same thing. At domestic jobs they were paid little or nothing, and raped besides. In order for black women to bring more money into the home, they had to get more education and leave domestics jobs.

In other words, blue collar black women (domestics) made a lot less money than black men in blue collar jobs. In white collar "women's jobs," teachers and social workers, black women better off than un-credentialed female domestics, yet still didn't make as much money as un-credentialed black men. At one point during the 60s, despite black women having more education, black women were still, on average, making 75 cents for every black male dollar.

And THIS, according to The Moynihan Report was part of black women emasculating black men and destroying the black family. Earning a wage that was critical to the family's survival and earning a wage so close to her husbands (remember it's 1965) was undermining of his masculinity.That's just one of many stereotypes about black women created by men of all colors between during the mid 20th century.


According to the author (and others)  The Moynihan Report was reviewed by many black male civil rights leaders, including Martin Luther King, prior to publication. So, Moynihan must have been quite shocked at the nasty reaction he got from the black community.

I'm not sure if The Moynihan Report was the first attempt to shift the effects of white racism onto black culture via the black woman, complete with black cosigning, but it surely wasn't the last.

Regarding colorism, the book was very light on this point. I know THIS book wasn't about THAT. But the book would have been a little more perfect if the author had been frank or detailed about linking middle class blackness and being light-colored, and how that came right out of house-slave/field hand. The color divide continued/continues from slavery through the 1960s to now --only most black people don't realize that historically, this is also a class divide. 

a highly rated supplemental book that addresses race, color and class 


Also, not examining the class/color divide could leave some thinking that whiteness adds IQ to the black race, just as white racists who keep saying "Obama is part white ya know" seem to believe. White racists will believe anything, I know. But a hole in our history can leave some blacks believing this as well.  We cannot afford to leave gaps where more internalized racism can get in.

Since Giddings was so brave in other sections of the book and covered so much of black history in general in order to give context to black women's history, it just seems odd to have skipped over the colorism link to class as it didn't exist.


Paula Giddings also explained much about shifting gender roles for women, of course, but also for men.

For some reason it never really occurred to me that men had a shift in ideals in regards to what "a real man" looks like, a shift that was independent of wanting equality.

There was a shift from men wanting to be
establishment/corporate/always in a suit/ideal dude (1920s - 50s?)
who did all for his family out of a sense of duty
TO
independent dude who did
what he wanted,
when he wanted
including open promiscuity (a word generally not applied to men but it applies)

And this shift in male consciousness in the country affected black men as well.

Early in The Civil Rights Movement black women were still respected as leaders but that shifted as a result of changing ideals in masculinity, as "macho"   More overt forms of domination became seen as "true masculinity."  Shutting women down became good. As Giddings eventually points out, quite convincingly,  Black Civil Rights groups lost power at the very same time lost respect for black women's leadership.

The books also details the failings of white feminists.

Through this book I understood decision by decision how white suffragists/feminists of the 1920s through to white feminists of the 1980s turned to away from the issues of black women....

- to court southern white women (at anti-lynching's expense)

- to court anti-feminist white women (1980s, a lot of them southern white women I think)

- and even to court black men (Frederick Douglass)

RATHER THAN COURT black women for support on various issues.


And because of white women's failures to be what we call now call "intersectional,"  they have failed  at different national efforts decade after decade after decade. But the author, via other black feminists quoted (Angela Davis/Kathleen Cleaver)  make it clear that while our struggle is very different from white women...

- due to our earlier history with anti-black racism

-  due to our common goals against oppression with black men
(a link white women don't have)

-and our tendency to embrace one another despite class,

...that some of our ultimate goals are the same.  

I say that only some of our goals are the same because white feminists, mostly middle class or better, are married to a man that is perfectly capable of supporting her on his income alone. That leaves the white feminist to focus on things like abortion and slut shaming to the virtual exclusion of all else.

Black women, in the 1960s for example, were trying to figure out why they were only being paid 75% of what black men were being paid when they had more education as a group even then. (Black women have been closing that gap since this book was written though)






For black women our sexism/patriarchy struggle is different, according to Giddings, because black women have had to work side by side with black men (not a step behind like white women) due to higher rates of poverty among blacks. However, the biggest reason that black women's sexism/patriarchy struggle is different is that black women are completely intolerant of chattel treatment from black men due to chattel treatment from white men during slavery.

Black women refused to change masters from white men to black men, especially during the early days of our freedom in the U.S. And black men appear to have been, at the change of the 19th century, a lot more sensitive to this than they are today.

By comparison, large numbers of white women appear to have tolerated property status from white men, on and off for decades, for so long as an imaginary pedestal was involved.

Therefore we as black women have been "naturally" feminist in mindset before the word "feminist came to exist. The average black women may hate the word "feminism" as much or more as the average white woman because they put "feminism" the "like white people box," ironically enough.

However, black women have less tolerance for sexism than women of any color.  Black women's rates of remaining single and high rates of divorce prove this. We are, in my opinion, less conscious than the black women at the turn of the 19th century but our inability to tolerate the following is forever:


QUOTE




The author solidly makes the point that sexism is just as real as racism. From where I sit this is obvious.

Unlike white women, black women have never had the expectation while growing up that they are not going to fully participate in life as a fully functioning adult. Even if a black woman decides she will marry, work inside the home, and be the primary raiser of the children, if a black man dies --and they die often in the U.S.-- a black woman knows she will have to stand up and take over making of the living while still feeding the children. Black women, collectively, have had to be more dedicated to education and making a living. to sustain the self and the family that depends on her.

Gloria Steinhem once said that Black Women created feminism. In the moment when I first heard her say that, I thought she was shining the black female reporter on. I've come to the conclusion since that Glo was right on the money that particular time.

At the end of the book, Giddings makes the point that both the civil rights movement and the feminist movement stopped moving in significant ways when black women's needs were not (among many other things) taken seriously and black women withdrew.

I''m still thinking about that last bit. But I think the creation of the Black Lives Matter Movement, by three black women, just might prove she's right about this.