Showing posts with label White Women. Show all posts
Showing posts with label White Women. Show all posts

Saturday, January 26, 2019

ANGELA DAVIS ON OUR WEAKEST LINKS


WHITE WOMENAll you have to do is look at every single one supporting the GOP (Grand Ole Party) Take an especially hard look at the ones sitting behind Brett Kavanaugh during his confirmation hearing for the Supreme Court.

They support white male supremacy because they can marry into it's power.

Married white women have the secondary status assigned to them by their husbands. And the unmarried ones are too foolish to realize they don't have the same level of status as white men or married white women -- which is likely why a percentage of single white women like to call the police on black folks for stupid stuff -- so they can prove to themselves their whiteness is worth just as much as the next white person. 

At the very least, calling white cops on black people proves that they, as single white women, have higher status than black people. And this is very valuable to some white people. It must be. They've been seeking confirmation of white skin status for centuries. 

For example: Poor white people fought for slave owning whites for the very same reason -- to prove white skin status-- despite the fact that they were kinda fighting to slit their own throats. 

I mean, but for fighting to hold on to some kind of superiority, how hard is it to figure out that fighting for somebody else's right to have free labor is not good for you as a laborer or a farmer in competition?

BLACK MEN


This explains why so many black men (and the pick-me-s that follow them over any cliff) had a hard time seeing Killmonger as a villain in BLACK PANTHER.  Killmonger wasn't wrong on the facts. But he was dead wrong on the solution, which was rise up and take the white man's place as top oppressor.

A large percentage of non-feminist variety black men as well as the ashy-s and the hoteps, all of them want to replace the white man as top dog. 

And, lately, what that has meant is that they want the right to rape and pillage their own women....same as white men do; 

This is exactly what many black men mean to communicate to black women every single time we say #MuteRKelly and they respond by throwing some white man out in front of Kelly by saying something like, "What about Harvey Weinstein?"

And you know Kelly is being defended when they throw Weinstein's name out precisely because it's so lazy a choice. With all the white men who have skated on sex crimes, the black women and black men talking about "What about Weinstein?" have conveniently forgotten that this man has already lost his business and is being ground up (hopefully) by the justice system as we speak. 

Other than losing his record deal with SONY-RCA, R. Kelly is just walking around embarrassed -- instead of having a real chance at real prison time.

THE BLACK WOMEN 
WHO DEFEND BLACK MEN AT ANY COST

Actually, I'd make a correction to Angela's quote if I could. I'd say the weakest links in overcoming oppression in this country are white women, black men, and also black women who defend black men at any cost. 
Maybe Angela Davis would change this quote if she could too, especially now that she's seen the reaction to the SURVIVING R KELLY documentary. Black response to that television series has shown just how little black girls are seen --through the prisms of black patriarchy* and internalized-racism-- as over-sexed and lacking innocence by our own people, including black women.






Thursday, May 10, 2018

THE WEAPONIZING OF WHITE WOMEN'S TEARS

Feeling Rebloggy

...because damn near every black woman has experienced this.



Picture it: a white woman feels challenged or uncomfortable about something a Black person said or did. Instead of using her words, she cries. Instantly, no matter what the initial catalyst of the situation is, she ends up being appeased, pacified and pampered. Lawd knows we’ve all seen virtual white woman tears shut down conversation, even if she was the instigator of conflict. The other person? Ends up being scolded. Or fired. Or arrested. Or killed. When Lorelei cries, heads roll.
Isn’t it the story of countless Black folks who have to work with white women who don’t know how to get anything but positive feedback? Isn’t it the story of why 2 men got arrested for standing in Starbucks? Isn’t it the story of Emmett Till?

White women tears are especially potent and extra salty because they are attached to the symbol of femininity. These tears are pouring out from the eyes of the one chosen to be the prototype of womanhood; the woman who has been painted as helpless against the whims of the world. The one who gets the most protection in a world that does a shitty job overall of cherishing women. The mothers, sisters, daughters and aunties of the world’s biggest bullies (white men). 
But the truth is, white women have been bullies themselves because they’ve been the shadows behind the white men who get all the blame. They have been doing much of the subjugation in white supremacy without any of the accountability, because...
~AwesomelyLuvvie.com 


Read More

Read All Of  It


Read It Today If Possible
https://www.awesomelyluvvie.com/2018/04/weaponizing-white-women-tears.html

BLACKCHICKROCKED.BLOGSPOT.COM


Thursday, May 3, 2018

DE FACTO SEGREGATION'S CONSTANT GARDNER: WHITE WOMEN

Feeling Rebloggy 
Elizabeth Gillespie McRae's Mothers of Massive Resistance: White Women and the Politics of White Supremacy takes a sharp look at mainstream, everyday segregationism: the segregationism of respectable white women. 
How, McRae asks, did those white women work to maintain segregation across the 20th century? What was their role in the battle to preserve Jim Crow? Why do many still support racist policies and politicians?

Unlike governors or legislators, white women couldn't directly enforce Jim Crow with state power. Unlike the Klan, they generally eschewed direct violence. Their sphere of authority was family, home, and those local spaces considered extensions of the domestic sphere—most notably public schools. Their work was daily, grassroots, and rarely glamorous. 
White women, McRae writes, were "segregation's constant gardeners."
Good white women, and especially good white mothers, "married gender roles [with a] devotion to racial segregation." They had a special obligation to police the color line where public and private life intersected: Midwives classified the race of the babies they helped bring into the world; public school teachers plucked students suspected of being mixed-race from their classrooms. Some educated women nourished the illusion of a more "affectionate segregation," in columns containing fond tales of their housemaids and childhood mammies...

~PSMag.com

Read More: https://psmag.com/social-justice/segregations-constant-gardeners

BLACKCHICKROCKED.BLOGSPOT.COM

Sunday, July 9, 2017

FEARLESS LITTLE WHITE GIRL AS WONDER WOMAN

PART II

continued from 

DID I JUST SEE A WONDER WOMAN MOVIE 

OR A FEARLESS GIRL MOVIE?
http://blackchickrocked.blogspot.com/2017/07/did-i-just-see-wonder-woman-movie-or.html





A lot of people said this movie wasn't created for the male gaze. I beg to differ. 

Despite there being a female director, white men wrote this movie. And it was movie reviewers, mostly men, that loved this movie into being a hit. The three-fourths male Rotten Tomato Reviewer group gave this movie a 92%. 
  • MERYL STREEP INTERVIEW ON ROTTEN TOMATOES MALE BIAS:  "So I went deep, deep, deep into Rotten Tomatoes...I counted how many contributors to Rotten Tomatoes...Of those people who are allowed to rate on the tomato meter, there are 168 women. And I thought that’s absolutely fantastic.....[but] there are 760 men who weigh in on the Tomatometer."

We have to wonder what rating women would have given this movie if white male tastes hadn't been dictating what we watch and enjoy for decades.

What was even worse for me is than how Gadot's body may be received was the way she performed womanhood in the movie. Her behavior was Fearless Little White Girl through and through.

Luckily, I was able to stop this silliness from punching through my suspended disbelief until after the movie was done. Otherwise, I'd have been itching to leave.



SPOILERS BEYOND THIS POINT

There is a way to play innocence without it being little girlish. Gadot missed the mark but white men like that so....
The other way you could tell men, likely white, had a lot of input into how this movie was constructed was by listening to some of the dialogue.


A number of times, Wonder Woman was outraged that war was being waged in such a way that "women and children!" were being killed. 
She's just come from an island of all women where they are all warriors. She's just been in a dress shop to get normal clothes where she can't figure out how a woman fights in such long restrictive clothing.
So why is she outraged that women are being killed as an outcome of war in the same way she is outraged that children are being killed?  "What about the women and children!" is a man's line.

Again, there were plenty of good things in the movie. The story hit all the appropriate plot points. And I glad it was implied Wonder Woman is not a virgin and also knew something about physical pleasure before she met Steve Trevor.

But WONDER WOMAN served up as much bad as it did good as far as subliminal societal messages go


Since I have long thought that there should be a movie about a superhero woman where the female superhero's motivation was love, I liked that about Wonder Woman too.

In real life, women are violent on behalf of love in some way. They don't go to jail to prove they are tougher than the next guy or to prove they are truly women because they are a good provider. Women get violent for reasons having to do with relationships and sometimes love. 
And lets face it, superhero movies are violent. 
So a female superhero movie should have a relationship base or love motivation some of the time or most of the time. One of my favorite feminist authors, Chimamanda Ngozi Adichie thinks most worthwhile stories are about love at the root. And I think I agree.  

Since women are the ones not afraid of their emotions, I think a woman's access to her emotions should be shown as large part of her super power. And this was attempted in Wonder Woman. 

But this too was done in a little FEARLESS GIRL way instead of a womanish way.

There was nothing wrong with constructing Wonder Woman becoming enraged when her love interest is killed. But I had  problem with the preparation for that scene. 



Unlike most movie goers, I need to see something compelling to make me think two people fell in love inside two hours. I don't know how some movie writers get it done, but I wasn't feeling it. I absolutely did not believe it when Steve Trevor said, "I love you." 
I got the very same feeling of total disbelief in 2002, when I first saw a woman cry over some dude they just met on THE BACHELOR when each woman on that show knew THE BACHELOR was dating 1000 other chicks at the exactly the same damn time.     
Steve Trevor said, "I love you." 
And in stereotypical black fashion I yelled at the screen, "Get Outta Here!"  
(yes. I'm lying for effect here.  I only screamed this in my head.)

But it's not that I think love is corny or expressing it is corny. I just thought love was badly done the two times it came up (back to back) in the movie. 

I so wish Wonder Woman would have said she believes in the power of love when she was talking to Steve Trevor at some point earlier in the movie instead of screaming "I believe in love" at the super villain, while laying on the ground, like she's in some melodramatic teenage soap opera.


 In one scene she wears
an evening gown with the sword hidden down the back
like the hilt is an ornament on the dress' back. 
Sword goes straight down past a non-existent ass. 
Either the cups of the costume are empty
or she had the surgery.

France bans extremely thin models


Again, I think white people, especially white men, got what they wanted out of Wonder Woman. I think little girls, of all shades, will get what they want too. But everything they've been taught to want within this patriarchal system we're bathing in is not good for them. 

In our future, I see  



- girls with eating disorders reinforced by a Wonder Woman movie 
- girls continuing to die from anorexia reinforced by a Wonder Woman movie

Worst of all, I see some of the same ole expectations of falling in love with some dude you've only known for 10 minutes reinforced by a Wonder Woman movie. 

(As if the Bachelor and Bachelorette isn't reinforcing this in our society even more effectively than a single movie ever will. While entertaining, I hate the idea behind both of these shows with a purple passion burnt to a crisp.) 

What probably irritates me more than anything else though is that I see the idolization of little girl behavior in grown ass women continuing in our future --especially little white girls who always looking to see FEARLESS GIRL inside themselves until they are freaking 70 years of age.


The good new is that this character (and hopefully the writers and producers) can mature.

The buckets full of money this movie made ensures that there will be a next Wonder Woman movie. I think it can only get better since the next Wonder Woman movie will be set in a time period 75 to 100 years later. 
I have to think all the white girlishness the reviewers loved in this movie will be gone.

If women of color are added in front of camera ( the Nubia character) and behind the camera as well, that FEARLESS GIRL element of Wonder Woman's femininity may be reduced or erased.

Even more important may be removing white men from the writing process.





Here's to hoping. Cheers.

...because if white men write the next script too? I might have to pass.

Fearless Little White Girl tends to annoy the hell out of me even if she's in a decent movie. 

I'm hoping for another kind of super hero now.  Of course, I' d love to see a Storm movie. But I think a totally new black woman hero, one who is a mother or a woman that's lost her children, who's main motivation is love, would be awesome.

More than one scholar, male and female, has written about radical love being one of the critical cures for what ails our real world.  So maybe it would be more than kinda great to create a vision of radical love in our children's superhero fiction first, as a way of idealizing our way forward.

Maybe?


Wonder Woman kinda left me flat in a few areas. Even though I WAS entertained, I'm still waiting to see love and femininity explored a little more thoroughly inside a superhero movie. 


Maybe one day?

Misha Green has a project she's putting together called, "Mother"  Maybe this has already been written and we haven't seen it yet?  
Though I don't think this WONDER WOMAN "blockbuster" movie is going to stand the test of time, it deserves its time in the sun as a summer hit  --especially since it got almost zero advertising ahead of time. So, I'm going to give Wonder Woman 3.5 out of 5 stars. 

And, I should probably give it 4 stars just because it's the first big budget superhero movie with  female lead and a female director. 

This makes Wonder Woman a part of movie history, flawed or not.

BLACKCHICKROCKED.BLOGSPOT.COM


Saturday, July 8, 2017

DID I JUST SEE A WONDER WOMAN MOVIE OR A FEARLESS GIRL MOVIE?

I'm glad there's a finally a superhero movie with a woman as the central character because
1) I am a woman 
2) I love superhero movies.
And I'm glad a woman director directed Wonder Woman because more than 80% of what Hollywood puts out is filtered through the male gaze. That is, if a documentary I watched last year is correct, then more than 81% of the movie studio owners, movie producers, and directors are men. (With independent movies, women do better)


That's a less obvious problem than an estimate 90 - 95% of images being white -- less obvious because you see women on screen. You see women on movie and television screens but you don't realize that men do most of the drawing and shaping of these fictional women
-- the drawing and shaping of ideal woman in the American psyche? Don't think our fiction doesn't impinge on our reality.  

I'm not so glad the first female super hero with her own movie is WONDER WOMAN. 



Compared to other super heroes I think he powers are kind of boring.  Once the X-men came along with STORM and ROGUE, I never thought about WONDER WOMAN again.

Of course the first female super hero with her own movie wouldn't be Halle Berry's STORM though the X-men franchise has been out...like forever.  I know I live in a country that is 2/3rds white people and I'm not crazy. So, I knew the first female super hero would be white. 

The Avengers' BLACK WIDOW wasn't a good first option either -- despite that character being more familiar to us at the movies-- because she's almost an anti-hero. The BLACK WIDOW character could be good or bad given the right provocation -- and that only works "good" with male characters like THE HULK and PUNISHER. 


Men, the gatekeepers in Hollywood, don't like women that are complicated and capable of impure motives for violence. And it's men that are more than 80% of the movie producers and movie reviewers, so BLACK WIDOW is a no go.

So Wonder Woman it is because WONDER WOMAN is the biggest comic book hero of the white female persuasion. 


I enjoyed the movie. And I thought the opening of the movie was kinda great. I can't figure out why other than the strongest actresses were in these scenes (Robin Wright and    ) And, I liked seeing Diana's mother (WONDER WOMAN'S mother) wrestling with keeping her daughter safe via coddling her versus allowing Diana to be taught the ways of the warrior like every other woman on the island.



You just never, ever get to see such scenes with women.
I was entertained by WONDER WOMAN, never actually sleepy and bored wanting to go home. But I thought the rest of the WONDER WOMAN movie was B- at best.

And the reason I probably feel that way is because I expected to see Wonder Woman not Wonder Fearless Girl.



In general the genesis stories of well-known superheroes tend to bore me because I think people can read a paragraph about how a superhero came to be super then go to a movie with a completely unknown, new story line. But, I guess I've been out-voted in the movie making world.   
I did not want to see how Wonder Woman moved from the island to "the real world." 

  
After I got over that, it took me some time to realize that what I really had a problem with is how white people view femininity.

White men, white women, even white feminists  seem to have this pre-occupation with seeing women as strong little girls. 


WHITE WOMEN AS LITTLE WHITE GIRLS I


Last year, a company put up a little white girl statue on Wall Street that's facing down a bull. And that was supposed to be representative of some sort of protest. It was supposed to be commenting on the women's lack of representation among the movers and shakers on  Wall Street

 WOMEN'S lack of representation in business was supposed to be represented by this image.



FEARLESS GIRL STATUE

But how so?

I do not get this. And I don't mean I disagree either. I mean, I don't understand the link between the concept and the statue.


   This is what the concept was supposed to be:









On the eve of International Women’s Day last Tuesday, State Street Global Advisors, which manages some $2.5 trillion in assets, signaled its solidarity with the day’s demonstrators. The company installed a roughly 50-inch-tall bronze statue of a defiant girl in front of Wall Street's iconic charging-bull statue. The reaction to the statue, which was designed by artist Kristen Visbal, was immediate and powerful.
The statue is a powerful symbol, but there is also substance behind it. Fearless Girl is part of State Street’s campaign to pressure companies to add more women to their boards. The firm followed up the installation with a letter to the thousands of companies that can comprise the Russell 3000 index on Tuesday asking them to take action to increase the diversity on their boards. There is room for improvement: State Street says that roughly a quarter of the 3,500 companies it sent letters to have no women on their boards.
https://www.theatlantic.com/business/archive/2017/03/fearless-girl-wall-street/519393

When I saw this image without words I had to go look up what it was supposed to mean. And the article above is what I found. If I had been given 100,000 guesses as to what this statue was supposed to mean, I would not have landed on the empowerment of women.
A few white women writers commented on the inappropriateness of this statue -- but only a few.
I think my being black (or just not-white) has something to do with my inability to see a little girl (even a little black girl) as an empowerment symbol for grown ass women. Black women don't roll like this, in my experience. I don't think most brown women do either.  FEARLESS GIRL seems like a pure Becky thing to me --like baby talking during sex. 

WHITE WOMEN AS LITTLE WHITE GIRLS II

I could be wrong to see this as related, but earlier this year, to protest Donald Trump as a misogynist, white feminists seemed to put together a march without any black and brown input at all.
It seemed that this "feminist march" was in actuality a white feminist march because of the lack of focus on race and therefore intersectionality. And you could visually see the lack of intersectionality in that these white feminist women chose a hot pink pussy hat as their symbol.
And when I say "pussy hats" I mean I actually saw photos of white women with giant hot pink vulvas sitting on their heads. This is problematic in a number of ways, not the least of which is it seemed childish.

While I'm glad black and brown women, especially the young ones, don't feel like they have to be dignified all the time -- as their mama's and grandmama's definitely did-- they still don't go in for this little girl thing nearly as hard as white women.
WHITE WOMEN AS LITTLE WHITE GIRLS III

And at the risk of shaming a certain kind of body, black and brown women aren't trying to make their bodies be as close to a little girl's as possible -- then put a bikini on a stretched out version of it. 


Gal Gadot in one of the  FAST AND FURIOUS movies
Part of what's wrong  here is probably a bad swimsuit choice for her body type
But she's anorexic thin.

Black and brown people value curves and variety in bodies a lot more than white people do.
If black or brown women had been in charge of any part of stoking the anticipation of the Wonder Woman movie by cross-advertising, I kinda doubt they'd have looked at actress Gal Gadot and thought cross-advertising the movie with THINK THIN products was a hot idea. 


But that's exactly what the predominantly white folk creating WONDER WOMAN 2017 did.



This cross-promotion is full of the mixed messages of unrealistic standards women have forced upon them their whole lives. We’re supposed to be as strong as Wonder Woman but also expected to “think thin,” to keep our bodies small and unimposing, preferably to the point of having no body at all. Hopefully the movie itself does a better job of promoting representation of a stronger, unapologetically impressive sort of woman.
https://www.themarysue.com/wonder-woman-wants-us-to-think-thin/

I think movie execs thought twice about this after this THINK THIN ad made a negative splash on twitter. But the words "think thin" next to an image of Wonder Woman isn't the core issue.  To me, the core issue is the fact that the Wonder Women actress chosen, Gal Gadot, is so bony that she truly is A NATURAL CHOICE to cross-advertise with THINK THIN products.


And if the movie executives in charge of advertising see Gal Gadot as a natural choice for a THINK THIN ad campaign, then little girls who are watching the movie can see it too.

Let's add a little more fuel to the body image fire. Why not? 

They tried to disguise her being hipless in FAST AND FURIOUS with a weird sash thing on the bikini bottom. But she looks like she is a lot smaller than Halle Berry (who plays STORM in the X-MEN series). And she looks like she is half the size of Scarlett Johanssen (who plays BLACK WIDOW in the AVENGERS series)

And neither one of these other actresses is big by any stretch of the imagination. They're just shaped like women and overstretched little girls

To me, choosing Gal Gadot to play Wonder Woman makes the same kind of sense as choosing FEARLESS GIRL to stand in front of the bull statue on Wall Street.



Gal Gadot did do a lot of exercising for the movie (see that 1/16th inch rise on her bicep).  Her thighs look to be a good size in promotional posters but I think the posters were photo shopped. 

In the movie itself?  She and her thighs were still THINK THIN material. 


The costume, unlike that ridiculous swimsuit of the 1970s, covered a lot more of her body and created some curves up top. But when
 Gadot is signing autographs for little girls on the street, are they going to think of her body as a goal, think that her body represents female power? 
I believe a variety of bodies are beautiful including some thin ones. And I believe in different strokes for different folks and all that...But it's time to stop holding super-thin up as beautiful.   
 White women wanting to be bony thin little girls for white men is why white girls have so many eating disorders as compared to other groups.* 
 Body image being a serious issue among girls and women, I'm glad the movie execs hid Gadot's thinness with angles, costuming, and photo-shopping. But, as you may have guessed, it bothers me Gal Gadot was chosen to play WONDER WOMAN at all.


The actress' body didn't have to start off looking like this



Or this

But WONDER WOMAN'S body, for damn sure, shouldn't have started here

Gal Gadot  
in one of "The Fast And The Furious" movies


If Wonder Woman was meant to be powerful in mind, body -- instead of just sexy in the eyes of white men -- the actress (and her body) would have been chosen in the same way the actor was chosen to play Superman.




I don't know what Henry Cavill's body looked like before he needed to be SUPEMAN. But I know he did not look like the guy on the right.  The movie executives did not say to the guy on the right. "It's okay, go work out for a few weeks and we'll work with what we've got."

Gal Gadot was chosen as Wonder Woman because that's what white men who dominate this country and the movie industry see as beautiful -- before she added one ounce of muscle.




If it wasn't for the white male love of the little girl body, a Prima Ballerina body like Misty Copeland's would have been seen as appropriate for Wonder Woman. A body like Michelle Obama's would have been seen as appropriate too.  
Misty and Michelle have bodies that are still in the "cookie cutter" mold of beautiful that's still required for Hollywood. But their sexy is strong and strong looking.

A body like Misty's wouldn't have looked like FEARLESS GIRL, but taller and holding a sword.
Part II: FEARLESS GIRL WONDER WOMAN ENTERTAINING BUT FLAWED  
http://blackchickrocked.blogspot.com/2017/07/fearless-little-white-girl-as-wonder.html